Washington, April 5, 2014 - THERE’S SOMETHING about the high summer days of July and August that’s left many emotional imprints on my memories. The ancient Egyptians and Romans called them “Dog Days,” in reference to the star “Sirius” of the constellation Canis Major – a star that, for 40 days every summer, would appear at dawn with the sun.
In my youth, Dog Days were spent walking along the creeks that wound through the backyards of my town. They were spent at lakehouses in the Adirondacks, or on hiking trails in the Catskills. Although Dog Days were objectively framed by the Egyptians - from July 3 to August 4, according to the Old Farmer’s Almanac – they still carry with them a lasting, subjective edge that differentiates them from the rest of summer and the rest of the seasons. Dog Days were tinged with adventure, romance, and the knowledge that tomorrow would be like today. Dog Days were suffused in sunlight.
So how does one visually capture the non-visual qualities of Dog Days – the heat, the mood, and the timelessness? The above painting by German-American artist Wolf Kahn, entitled “High Summer,” gives it a go. Kahn – known for combining realism in landscapes with the use of potent “color fields,” to the tune of Mark Rothko – suffuses his foreground with bright yellow and his mid-ground with high-key oranges and dark purples. The edges of the trees are blurred, suggesting the thickness of the air. Imagine wading across the grass, from the front of the painting to the back, and you can imagine wading through the humidity and arriving on the edge of the woods drenched in sweat. Continue reading